St. John's College Library: General Information

Among Library Journal's selections of the most important reference works of the millennium - with the Encyclopedia Judaica and the New Catholic Encyclopedia - Mircea Eliade's Encyclopedia of Religion won the American Library Associations' Dartmouth Medal in 1988 and is widely regarded as the standard reference work in the field. This second edition, which is intended to reflect both changes in academia and in the world since 1987, will include almost all of the 2750 original entries - many heavily updated - as well as approximately 600 (1.2M words) entirely new articles. Preserving the best of Eliade's cross-cultural approach while emphasizing religion's role within everyday life and as a unique experience from culture to culture, this new edition will be the definitive work in the field for the 21st century. An international team of scholars and contributors have reviewed, revised and added to every word of a classic work to make it relevant to the questions and interests of readers, whether students, specialists, or laypersons. The result is an essential purchase for libraries of all kinds. Every article from the first edition was evaluated by our board of scholars. of study are given their own entries. New composite entries present overarching themes - for example, gender and religion, politics and religion - with each article within the composite covering a different religious tradition. Many of the reprinted articles from the first-edition have updated bibliographies. This is an indispensable resource for any school with a department or programme in religious studies. Additionally, articles support the curriculum and general research in history, gender studies, language and literature, music, the visual arts, history, politics, ecology, health and medicine, law, sociology and anthropology. Three Colour inserts serve as pictorial essays illuminating themes such as pilgrimage, prayer, healing, and how these concepts are displayed in various religions throughout the world. Illustrations go beyond the typical stock imagery and present images of authentic value not readily available elsewhere.

impressively comprehensive Brill Dictionary of Religion addresses religion as an element of daily life and public discourse. Richly illustrated and with more than 500 entries, the dictionary is a multi-media reference source on the many and various forms of religious commitment. It is unusual in that it not only addresses the different theologies and doctrinal declarations of the official institutionalized religions but it also gives equal weight and consideration to a multiplicity of other religious phenomena.
People perceive and express religious experiences in many different ways: through dance, sensuality, in relations between sexes and in compassion at death. Religions help determine how people form and perceive their identity as part of a social group. The diverse effects of religions can also be perceived in the environment, society and the public sphere. The Brill Dictionary of Religion helps map out and define the networks and connections created by various religions in contemporary societies, and provides models for understanding these complex phenomena.

The first of the nine volume Cambridge History of Christianity series, Origins to Constantine provides a comprehensive overview of the essential events, persons, places and issues involved in the emergence of the Christian religion in the Mediterranean world in the first three centuries. Over thirty essays written by scholarly experts trace this dynamic history from the time of Jesus through to the rise of Imperial Christianity in the fourth century. It provides thoughtful and well-documented analyses of the diverse forms of Christian community, identity and practice that arose within decades of Jesus's death, and which through missionary efforts were soon implanted throughout the Roman Empire. Origins to Constantine examines the distinctive characteristics of Christian groups in each geographical region up to the end of the third century, while also exploring the development of the institutional forms, intellectual practices and theological formulations that would mark Christian history in subsequent centuries.

The Word Biblical Commentary delivers the best in biblical scholarship, from the leading scholars of our day who share a commitment to Scripture as divine revelation. This series emphasizes a thorough analysis of textual, linguistic, structural, and theological evidence. The result is judicious and balanced insight into the meanings of the text in the framework of biblical theology. These widely acclaimed commentaries serve as exceptional resources for the professional theologian and instructor, the seminary or university student, the working minister, and everyone concerned with building theological understanding from a solid base of biblical scholarship.

The Oxford History of Anglicanism is a major new and unprecedented international study of the identity and historical influence of one of the world's largest versions of Christianity. This global study of Anglicanism from the sixteenth century looks at how was Anglican identity constructed andcontested at various periods since the sixteenth century; and what was its historical influence during the past six centuries. It explores not just the ecclesiastical and theological aspects of global Anglicanism, but also the political, social, economic, and cultural influences of this form ofChristianity that has been historically significant in western culture, and a burgeoning force in non-western societies today. The chapters are written by international experts in their various historical fields which includes the most recent research in their areas, as well as original research.The series forms an invaluable reference for both scholars and interested non-specialists. Volume one of The Oxford History of Anglicanism examines a period when the nature of "Anglicanism" was still heavily contested. Rather than merely tracing the emergence of trends that we associate with later Anglicanism, the contributors instead discuss the fluid and contested nature of the Churchof England's religious identity in these years, and the different claims to what should count as "Anglican" orthodoxy. After the introduction and narrative chapters explain the historical background, individual chapters then analyse different understandings of the early church and church history;variant readings of the meaning of the royal supremacy, the role of bishops and canon law, and cathedrals; the very diverse experiences of religion in parishes, styles of worship and piety, church decoration, and Bible usage; and the competing claims to "Anglican" orthodoxy of puritanism,"avant-garde conformity" and Laudianism. Also analysed are arguments over the Church of England's confessional identity and its links with the foreign Reformed Churches, and the alternative models provided by English Protestant activities in Ireland, Scotland and North America. The reforms of the1640s and 1650s are included in their own right, and the volume concludes that the shape of the Restoration that emerged was far from inevitable, or expressive of a settled 'Anglican' identity.

In the world of the near future, who will control women's bodies?
Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are only valued if their ovaries are viable.
Offred can remember the days before, when she lived and made love with her husband Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now....

Now a 6-part Netflix original mini-series: in Alias Grace, the bestselling author of The Handmaid's Tale takes readers into the life of one of the most notorious women of the nineteenth century. It's 1843, and Grace Marks has been convicted for her involvement in the vicious murders of her employer and his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence, Grace claims to have no memory of the murders. An up-and-coming expert in the burgeoning field of mental illness is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story while bringing her closer and closer to the day she cannot remember. What will he find in attempting to unlock her memories? Captivating and disturbing, Alias Grace showcases bestselling, Booker Prize-winning author Margaret Atwood at the peak of her powers.

In the world of the near future, who will control women's bodies?
Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are only valued if their ovaries are viable.
Offred can remember the days before, when she lived and made love with her husband Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now....

At a time when the borders between literary genres are increasingly porous, Margaret Atwood maps the richly fertile crosscurrents of speculative and science fiction, slipstream, utopias and dystopias, and fantasy, and muses on their roots in the age-old human impulse to imagine new worlds. She shares the evolution of her personal fascination with this branch of literature, from her days as a child inventing a race of flying superhero rabbits, to her graduate study of the Victorian ancestors of SF to her appreciations of such influential writers as Marge Piercy, Rider Haggard, Ursula K. LeGuin, Kazuo Ishiguro, Aldous Huxley, and Jonathan Swift. As humorous and charming as it is insightful and provocative, In Other Worlds brilliantly illuminates “the wilder storms on the wilder seas of invention.”

From one of the world's most passionately engaged literary citizens comes Writing with Intent, the largest collection to date of Margaret Atwood's nonfiction, ranging from 1983 to 2005. Composed of autobiographical essays, cultural commentary, book reviews, and introductory pieces written for great works of literature, this is the award-winning author's first book-length nonfiction publication in twenty years. Arranged chronologically, these writings display the development of Atwood's worldview as the world around her changes. Included are the Booker Prize#150;winning author's reviews of books by John Updike, Italo Calvino, Toni Morrison, and others, as well as essays in which she remembers herself reading Virginia Woolf's To the Lighthouse at age nineteen, and discusses the influence of George Orwell's 1984 on the writing of The Handmaid's Tale. Atwood's New York Times Book Review piece that helped make Orhan Pamuk's Snow a bestseller can be found here, as well as a look back on a family trip to Afghanistan just before the Soviet invasion, and her "Letter to America," written after September 11, 2001. The insightful and memorable pieces in this book serve as a testament to Atwood's career, reminding readers why she is one of the most esteemed writers of our time.

What is the role of the writer? Prophet? High Priest of Art? Court Jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as 'gifted', who is doing the giving and what are the terms of the gift? Margaret Atwood's wide reference to other writers is balanced by anecdotes from her own experiences, both in Canada and on the international scene. The lightness of her touch is underlined by a seriousness about the purpose and the pleasures of writing, and by a deep familiarity with the myths and traditions of Western literature.

Novelist, poet, cultural critic, Margaret Atwood is one of the most fascinating, versatile, and productive authors of our time, a superb writer in any genre she chooses to tackle. This book was prepared on the occasion of Atwood's sixtieth birthday in November 1999. Its first aim is therefore to take stock of Atwood's multifarious works and international impact at the height of her creative powers. Secondly, the book serves as a wide-ranging introduction to the writer and her works. Fifteen informative articles written specifically for this volume by Atwood specialists from Canada, the USA, the UK, Germany, and France treat her life and status, her works (up-to-date survey articles on Atwood's novels, short fiction, poetry, and literary and cultural criticism), and important approaches to her works (from the standpoints of gender politics, mythology, ecology, popular culture, constructivism, and Canadian nationalism). A final section on creativity, transmission, and reception includes an interview with Atwood on creativity, statements by some of Atwood's important transmitters, including publishers, editors, literary agents, and translators, and some 15 statements by Atwood's fellow writers, in which they explore her importance for them. A number of photographs of Atwood, several cartoonsdrawn by and about her, an up-to-date bibliography of works by and about her, and an index round out the volume. Reingard M. Nischik is Professor of American literature at the University of Konstanz, Germany.

Margaret Atwood's international celebrity has given a new visibility to Canadian literature in English. This Companion provides a comprehensive critical account of Atwood's writing across the wide range of genres within which she has worked for the past forty years, while paying attention to her Canadian cultural context and the multiple dimensions of her celebrity. The main concern is with Atwood the writer, but there is also Atwood the media star and public performer, cultural critic, environmentalist and human rights spokeswoman, social and political satirist, and mythmaker. This immensely varied profile is addressed in a series of chapters which cover biographical, textual, and contextual issues. The Introduction contains an analysis of dominant trends in Atwood criticism since the 1970s, while the essays by twelve leading international Atwood critics represent the wide range of different perspectives in current Atwood scholarship.

This introduction covers Atwood's work from the end of the 1960s to the present, drawing out her recurring themes of Canadian identity and the wilderness, the representation of women and female bodies, and history and its narration. Winner of the Margaret Atwood Society Best Book in 1997, the second edition is thoroughly revised and updated. It includes new chapters covering Atwood's recent novels Alias Grace, The Blind Assassin, and Oryx and Crake, and her 2002 book on writing Negotiating with the Dead.