An Inventory of Its Records at the University of Manitoba Archives & Special Collections
Inventory prepared by John E. L. Richthammer
University of Manitoba Archives & Special Collections
Winnipeg, Manitoba
(August 1996)
Finding aid encoded by Julianna Trivers (November 2002)
Finding aid written in English.
Revision History
Table of Contents
Collection Summary
Administrative History of Turnstone Press
Scope and Contents of the Records
Organization of the Records
Restrictions on Use
Custodial History
Detailed Description of the Records
I. BUSINESS RECORDS 1976-1986
II. LITERARY RECORDS 1976-1981, [19-?]
Photograph Collection (PC 120)
Tape Collection (TC 80)
Collection Summary
Repository:
University of Manitoba Archives & Special Collections
Winnipeg MB R3T 2N2
Creator:
Turnstone Press
Title:
Turnstone Press fonds
Dates:
1976-1983
Quantity:
7.5 m of textual records
Identification:
MSS 118, PC 120, TC 80
Language
English
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Administrative History of Turnstone Press
The origins of Turnstone Press can be traced to an informal meeting at the Montcalm pub close to the University of Manitoba on a 1976 afternoon. A group of English professors and their friends began discussing their desire to establish a non-profit cultural partnership.
First located in a small but rent-free office in St. John's College at the University of Manitoba (though separate from it), the publishing house was administered by an editorial board initially consisting of professors/writers. Turnstone, named after the sturdily-built turnstone bird generally known as a great survivor, was established to publish the works of Manitoba poets and writers.
The founders of Turnstone Press, all of whom were young academics with impressive scholastic records and promisingly-creative minds, are as follows:
Gimli-born David Arnason, the son of a fisherman, studied at the Universities of Manitoba and New Brunswick (BA/1961, Cert. Ed/1963, MA/1969, all from Manitoba and a Ph.D. from University of New Brunswick in 1980). He was a high school English teacher before joining the English department of the University of Manitoba in 1972 as Canadian literature professor. Besides his writing talents, he became a recognized specialist in Canadian, contemporary American and commonwealth literature. He served as Dean of Studies at St. John's College, chairman of the Literary Press Group, was a co-founder of the Journal of Canadian Fiction and is a well-known Manitoba editor, publisher, award-winning author, journalist and broadcaster.
Dr. John Beaver, a native of England, was a French professor at University of Manitoba and was managing editor/business manager of Turnstone Press until a teaching offer from McMaster University in 1979 precipitated his move to Hamilton.
Dr. Dennis O. Cooley, a native of Estevan, Saskatchewan, earned three degrees from the University of Saskatchewan (B.Ed/1966, BA (Hons.)/1967, MA/1968 and a Ph.D. from the University of Rochester in 1971). He was appointed to the University of Manitoba in 1973 and is a Canadian literature professor and assistant chair of English as well as a critically-acclaimed writer and editor.
Robert Enright was born in Saskatoon, Saskatchewan and graduated from the University of Saskatchewan. He is well-known for his long career as an art/film critic and broadcaster (in both television and radio for the CBC).
Dr. Daniel S. Lenoski was born in Winnipeg, where he earned a BA (Hons.) and MA at the University of Manitoba. He received his Ph.D. from Queen's University. Dr. Lenoski spent many years as assistant and later associate professor of English at St. Paul's College, University of Manitoba. He was editor of the Canadian Journal of Irish Studies and is considered a specialist in Anglo-Irish, late Victorian and early 20th century literature.
A few years after its founding, Paul Hjartarson, who taught English at University of Manitoba, joined Turnstone as did Marilyn Morton (as managing editor of both Turnstone and Contemporary Verse II magazine) and David Michael Carr (associate editor). Carr was born in Chicago and came to Winnipeg in 1966. In 1985 he left Turnstone to work in the civil service.
By 1981 Turnstone had its own typesetters and began to produce much of its work on site as well as typesetting for others on a contract basis. Commissioned sales representatives distributed their books both nationally and internationally. Turnstone Press was incorporated in April 1983 with the following acting as first directors: Dr. David Arnason, David Carr, Dr. Dennis Cooley, Dr. Daniel Lenoski, Patricia Sanders and Dr. Wayne Tefs.
Initially Turnstone was strictly a poetry and prose fiction publisher but before long it began publishing drama, fiction, non-fiction and even plays. Turnstone's primary mandate has always been to facilitate exposure for both lesser-established and well-known writers by providing a quality prairie publishing house. As one of its editors commented in the April 1980 offering of Quill and Quire : "writers (in Manitoba) began as truck drivers, teachers, and farmers doing a little writing on the side. Access to publishing has helped them to take themselves seriously as writers." Among the established (and, in some cases, internationally-known) authors published by Turnstone were Sandra Birdsell, Bertram Brooker (posthumously), Patrick Friesen, Robert Kroetsch, Dorothy Livesay, Andrew Suknaski, Anne Szumigalski and Miriam Waddington. There have been several anthologies to come off Turnstone's presses. Reviews of Turnstone books are written and published worldwide and a number of the books themselves are required reading in many national universities.
Turnstone was able to function with the aid of Manitoba Arts Council grants over the years, along with intermittent funding from the Canada Council. Any profits realized from the sales of books went back into the publishing aspect of the press. Turnstone's first two publications were William Dempsey Valgardson's In The Gutting Shed and George Amabile's Open Country . The press fostered a growing group of Prairie or Manitoba writers and readers. When the Manitoba Writers' Guild formed in 1981, many of its founders were first-book authors with Turnstone.
Established during a period of significant growth in creative prairie literature, Turnstone quickly became a significant literary press in Canada and presently enjoys substantial national recognition.
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Scope and Contents of the Records
The Turnstone Press Collection documents all of the activities of this Winnipeg-based literary publishing house from its inception as a partnership in 1976 until its incorporation in 1983. The business and administrative records consist of minutes of Turnstone meetings (1977-1982), Literary Press Group meetings (1979-1981), minutes of special meetings, incorporation papers, financial and taxation statements, marketing/promotional events and author's tours, sales and distribution records, royalty statements, printer's invoices, grant applications and correspondence with government departments, arts councils, granting institutions, agents and booksellers.
Of the collection's important literary holdings, there are only a small number of original manuscripts; however, the majority of manuscripts published by Turnstone during the year 1976-1983 are present in the form of copies. Less than five published softcover books are included. There is substantial correspondence with authors, poets and other editors. Contained in literary correspondence records are letters from such Canadian writers of prominence as David Arnason, Dennis Cooley, Sandra Birdsell, Earle Birney, Chester Duncan, Patrick Friesen, Robert Kroetsch, Dorothy Livesay, Eli Mandel, Al Purdy, Andrew Suknaski, W.D. Valgardson and Miriam Waddington.
Also included is the complete correspondence by year relating to rejected manuscripts. The files for the late 1970s and early 1980s of Contemporary Verse II , a literary magazine edited by Dr. Dorothy Livesay and Robert Quickenden, are likewise part of the collection. For further archival holdings on CV II , the Dorothy Livesay Collection (MSS 37), also at Archives & Special Collections, may be consulted.
The Turnstone Photograph Collection (PC 120) is a combination of author's photographs and/or photographs used in a particular author's book. The collection is sporadic and limited. What few exist are photographs of authors or photographs printed in their books. One item from PC 120, an original charcoal poster used on the cover of Douglas Smith's Scarecrow , is oversized and was placed in the map cabinet. The Turnstone Tape Collection (TC 80) consists of one reel-to-reel audio tape (uneven sound) of an unidentified woman speaking about seniors.
Two other collections in Archives & Special Collections' holdings complement Turnstone Press--Saskatoon-based Thistledown Press (MSS 116) and the NeWest Press (MSS 117) of Edmonton, Alberta.
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Organization of the Records
These records are organized into 4 series
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Restrictions on Use
The Collection is available to all who abide by copyright law as passed by the Parliament of Canada from time to time. Patrons must also exercise proper care in using the collection. Fair use excerpts should give proper acknowledgment and source attribution.
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Custodial History
The Turnstone Press Collection was donated to Archives & Special Collections in 1992 by two of Turnstone's original founders/editors, Drs. Dennis Cooley and Wayne Tefs, professors of English at the University of Manitoba. The papers were appraised by the National Archival Appraisal Board and later declared "Cultural Property" (a gift to Canada) by the Canadian Cultural Property Export Review Board in March 1993.
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Detailed Description of the Records
I. BUSINESS RECORDS 1976-1986
History
Box | Folder | |
1 | 1 | Turnstone Press: History |
Minutes
Box | Folder | |
1 | 2 | Minutes: Meetings 1977-1982 |
3 | Minutes: Literary Press Group 1979-1981 |
Business Correspondence
Box | Folder | |
1 | 4 | Correspondence: Alberta Culture 1980-1981 |
5 | Correspondence: Dept. of Cultural Affairs, 1982-1982 | |
6 | Correspondence: French Canadian Anthology, 1985-1986 | |
7 | Correspondence: Promotion, tours by authors, special meetings 1980-1983 | |
8 | Cloudland Literary Press 1979-1980 |
Legal Records
Box | Folder | |
1 | 9 | Incorporation 1979-1983 |
Grant Applications
Box | Folder | |
1 | 10 | Canada Council 1977-1982 |
11 | Manitoba Arts Council 1976-1983 | |
12 | Saskatchewan Arts Board 1977-1982 | |
13 | Secretary of State 1979-1981 |
Payroll/Sales/Distribution Records
Box | Folder | |
2 | 1 | Payroll 1983-1984 |
2 | Accounts ledger 1980-1982 | |
3 | Book sales ledger 1976-1978 | |
4 | Book sales ledger 1978-1981 | |
5 | Book sales ledger Jan. 1980-Apr. 1982 | |
6 | Book sales ledger Dec. 1980-Mar. 1982 | |
7 | Sales: Distribution by Inland Book Co. and Gryphon House 1982-1983 | |
8 | Sales: Distribution by Stanton & MacDougall 1981-1983 | |
9 | Sales: Various distributors 1981-1983 | |
10 | Sales: Frankfurt Book Fair 1982-1983 | |
11 | Sales: Reports & data 1979-1983 | |
12 | Sales: Representative Gordon Garner 1982-1983 | |
13 | Printer's invoices 1981-1983 | |
14 | Royalty statements 1977-1982 | |
15 | Book sales inventory and costing 1976-1984 | |
16 | Turnstone office file 1984 |
Taxation Records
Box | Folder | |
3 | 1 | Financial statements 1976-1982 |
2 | Financial statements and income tax 1983 | |
3 | Payments re: T-4s 1980-1982 | |
4 | Payments re: T-4s 1983 |
Marketing Records
Box | Folder | |
5 | Publishing on contract 1980-1982 | |
6 | "Sub-rights" 1979-1984 | |
7 | Standing orders | |
8 | Publicity 1976-1981 | |
9 | Publicity: press parties Apr. 1, 1978 and Mar. 31, 1979 | |
10 | Publicity: Turnstone brochure 1978-1979 | |
11 | Book publishing survey 1982-1983 |
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II. LITERARY RECORDS 1976-1981, [19-?]
Correspondence
Box | Folder | |
12 | Correspondence: General 1976-1980 | |
13 | Correspondence: Dr. Richard E. Bennett | |
14 | Manitoba Novelists' Bibliography | |
15 | Mailing list Oct. 1979 | |
16 | Adamson, Arthur | |
17 | Allen, Elizabeth | |
18 | Amabile, George | |
19 | Ammeter, Arthur E. | |
20 | Arnason, Dr. David (also see Michael Olito) |
Box | Folder | |
4 | 1 | Baastad, Erling Friis |
2 | Banting, Pamela | |
3 | Barbour, Douglas | |
4 | Beardy, Jackson | |
5 | Birney, Earle | |
6 | Birdsell, Sandra L. | |
7 | Bitney, Katherine (Kate) | |
8 | Bowering, George | |
9 | Carriere, Elizabeth | |
10 | Christensen, Peter | |
11 | Chudrick, Gerald P. (poems) | |
12 | Cooley, Dr. Dennis O. | |
13 | Crozier (Uher) Lorna | |
14 | Dagg, Mel | |
15 | Daniel, Lorne | |
16 | Davey, Frank | |
17 | David, Jack | |
18 | Deeley, Ann (& poems) | |
19 | Dillon, Norma | |
20 | Duncan, Chester (& musical scores) | |
21 | Dyck, Edward Frank | |
22 | Fifik, Robert (& poems) | |
23 | Foster, Robert | |
24 | Friesen, Patrick (& poems) |
Box | Folder | |
5 | 1 | Geddes, Gary |
2 | Grace, Gregory | |
3 | Gruending, Dennis | |
4 | Gunnars, Kristjana | |
5 | Gutteridge, Donald | |
6 | Hawley, Helen Maud | |
7 | Hayman, Patrick | |
8 | Helwig, Sarah Magdalen (Maggie) | |
9 | Hitching, James (a.k.a. Jim Wallace) | |
10 | Jankola, Elizabeth (Beth) (& poems) | |
11 | Johnson, Dr. Stephen Marshall | |
12 | Klymkiw, Myroslaw (Slawko) | |
13 | Koehn, Lala Heine | |
14 | Kroetsch, Dr. Robert | |
15 | Lane, John C. | |
16 | Lane, Patrick | |
17 | Le Dressay, Anne Marie | |
18 | Livesay, Dr. Dorothy (also see Contemporary Verse II ) | |
19 | MacLulich, Dr. T. Donald | |
20 | McLauchlan, Laura | |
21 | Mandel, Dr. Eli (also see Davey, Frank and Draft Anthology, 1981) | |
22 | Marlatt, Daphne | |
23 | Marriott, Anne | |
24 | Morrissette, George | |
25 | Noyes, Steven | |
26 | Olito, Michael (& Dr. David Arnason) | |
27 | Peters, Elizabeth | |
28 | Philips, Elizabeth | |
29 | Powell, Craig | |
30 | Purdy, Al (see Whyte, Jon) | |
31 | Reed, Valerie Gail Caasi | |
32 | Reid, Monty | |
33 | Riches, Brenda (& poems) | |
34 | Rutland, Enid Delgatty |
Box | Folder | |
6 | 1 | Ryga, George |
2 | Scobie, Stephen | |
3 | Shaw, Margaret A. | |
4 | Siemienuk, Les | |
5 | Silver, Alfred | |
6 | Smart, Carolyn | |
7 | Smith, Douglas | |
8 | Smith, Steven | |
9 | Sproxton, Birk (re: Bertram Brooker) | |
10 | Story, Gertrude | |
11 | Suknaski, Andrew | |
12 | Swiderek, Yvonne | |
13 | Szumigalski, Anne | |
14 | Tefs, Dr. Wayne | |
15 | Tregebov, Michael | |
16 | Turner, Gordon | |
17 | Upward, Edward | |
18 | Ursell, Dr. Geoffrey Barry | |
19 | Valgardson, William Dempsey | |
20 | Waddington, Miriam | |
21 | Wallace, Bronwen | |
22 | Wallace, Jim (see Hitching, James) | |
23 | Waltner-Toews, Dr. David | |
24 | Wayman, Thomas | |
25 | Weis, Lyle | |
26 | Whyte, Jon Anthony | |
27 | Wiebe, Armin | |
28 | Woodcock, George | |
29 | Young, Patricia Rose
- Correspondence primarily with authors, poets and other writers Published Literary Manuscripts And Books, Drafts And And Related CorrespondenceAckerman, Caroline |
Box | Folder | |
7 | 1 |
Kids in the Kitchen Cookbook - manuscript copy Adam, Ian |
Box | Folder | |
7 | 2 |
The Last Prairie Poem - original manuscript and correspondence
|
Box | Folder | |
7 | 3 | Notes From a Dark Cellar - revised manuscript copy |
4 | The Inside Animal - original draft manuscript | |
5 | The Inside Animal - draft two | |
6 |
Bestiary - softcover book Allan, Elizabeth |
Box | Folder | |
7 | 7 | War Games - editor's working manuscript copy |
8 |
War Games - final manuscript copy
|
Box | Folder | |
7 | 9 | Wilderness Edge: The Prairies - manuscript copy |
10 | Ideas of Shelter - editor's manuscript copy | |
11 |
Open Country - softcover booklet
|
Box | Folder | |
7 | 12 | Berens River Poems - original manuscript |
13 | Berens River Poems - revised original manuscript 13 | |
14 |
For Christina Rosetti - manuscript copy
|
Box | Folder | |
7 | 15 | Portrait of Louis Riel as a Young Poet - short original manuscript |
16 |
Paul Savoie's Eternal Laughter - short original manuscript
|
Box | Folder | |
7 | 17 | 50 Stories and a Piece of Advice - editor's manuscript copy |
Box | Folder | |
8 | 1 | Marsh Burning - manuscript copy |
2 |
The Icelanders - transcript of interview with Humphrey & Inga Olson
|
Box | Folder | |
8 | 3 |
Shore Lines - manuscript (c. 1979) copy
|
Box | Folder | |
8 | 4 | After the Flood - all versions (originals) |
5 | The Night Travellers - original and revised manuscript copy | |
6 | Stones - short original manuscript (1977) | |
7 | Truda - copies of various manuscript drafts | |
8 | The Rock Garden - two draft manuscript copies | |
9 | Flowers for Weddings and Funerals - manuscript copy | |
10 | "Arlington Street" - copy of short manuscript | |
11 | Journey to the Lake - original manuscript | |
12 | There is No Shoreline - copies of two manuscript versions | |
13 | The Wild Plum Tree - manuscript copy | |
14 | The Wednesday Circle - manuscript copy | |
15 | Judgment - two versions of manuscript | |
16 | The Day My Grandfather Died - original manuscript | |
17 | Stones - manuscript copy (1977) | |
18 |
A Mouse in a Glass Jar - original manuscript
|
Box | Folder | |
8 | 19 | While You Were Out - original submission copy (edited) |
20 |
While You Were Out - final manuscript copy
|
Box | Folder | |
9 | 1 |
The Mask in Place: Essays on Fiction in North America - original manuscript
|
Box | Folder | |
9 | 2 |
untitled poetry - manuscript copy Dagg, Mel |
Box | Folder | |
9 | 3 |
Same Truck, Different Driver - manuscript copy
|
Box | Folder | |
9 | 4 |
Lodgepole - manuscript copy
|
Box | Folder | |
9 | 5 |
Surviving the Paraphrase: Eleven Essays in Canadian Literature - manuscript copy
|
Box | Folder | |
9 | 6 | untitled poetry - manuscript copy Draft Anthology - Dr. Dennis O. Cooley (editor) |
7 | correspondence relating to Draft | |
8 | manuscript copy | |
9 |
permissions from authors Dyck, Edward Frank |
Box | Folder | |
10 | 1 |
The Mossbank Canon - correspondence and original manuscript
|
Box | Folder | |
10 | 2 |
Fishboat Blues - manuscript copy
|
Box | Folder | |
10 | 3 | The Jimmy Bang Poems - manuscript copy (1979) |
4 | Where the Smiles Go at Night - correspondence and manuscript copy | |
5 |
Musical Interlude - manuscript copy
|
Box | Folder | |
10 | 6 |
Boulder Outlines at Bannock Point - original manuscript
|
Box | Folder | |
10 | 7 | The Shunning - original manuscript (file one) |
Box | Folder | |
11 | 1 | The Shunning - partly original manuscript (file two) |
2 | Lands I Am - various partly original manuscripts | |
3 |
Bluebottle - printed manuscript copy
|
Box | Folder | |
11 | 4 | The Acid Test - manuscript copy |
5 |
The Acid Test - softcover book (1981)
|
Box | Folder | |
11 | 6 | The Man With the Styrofoam Head - original manuscript (1979) |
7 |
The Man With the Styrofoam Head - softcover book
|
Box | Folder | |
11 | 8 |
Walking Through Fire - correspondence and manuscript copy
|
Box | Folder | |
11 | 9 | Look the Lovely Animal Speaks - original manuscript |
10 |
Look the Lovely Animal Speaks - final manuscript copy (1980)
|
Box | Folder | |
11 | 11 | I Want to Tell You Lies - manuscript copy (1980) |
12 | End of Summer - manuscript copy | |
13 | untitled poetry - original manuscript (1978) |
Box | Folder | |
12 | 1 |
Redemption of Alfie - manuscript copy
|
Box | Folder | |
12 | 2 | The Killing Table - manuscript copy |
3 |
The Weight - manuscript copy
|
Box | Folder | |
12 | 4 |
There Are No Longer Two People - manuscript copy
|
Box | Folder | |
12 | 5 | "Poems" - original manuscript "Poems" - original manuscript |
Box | Folder | |
12 | 6 | This Body That I Live In - original manuscript draft |
7 |
This Body That I Live In - original edited manuscript
|
Box | Folder | |
12 | 8 |
The Raw Edges - original edited manuscript (1981)
|
Box | Folder | |
12 | 9 | Lacuna (originally The Painted Territory) - original submission copy (1979) |
10 |
Lacuna (originally The Painted Territory) - original manuscript (c. 1980)
|
Box | Folder | |
12 | 11 | Explorations (later Voyages) - original manuscript |
12 |
Explorations (later Voyages)- final original manuscript
|
Box | Folder | |
12 | 13 |
How to Hug a Stone - manuscript copy
|
Box | Folder | |
12 | 14 | Finding Mom at Eatons - original manuscript |
15 | Finding Mom at Eatons - two original revised manuscripts | |
16 | Finding Mom at Eatons - two editor's working copies |
Box | Folder | |
13 | 1 | In Favour of the Open Sky - original manuscript and unidentified poems |
2 |
The Millionaire of Goatfield - original manuscript
|
Box | Folder | |
13 | 3 |
Breaking Through Ice - original manuscript
|
Box | Folder | |
13 | 4 |
Rehearsal For Dancers - softcover book (1978)
|
Box | Folder | |
13 | 5 | When the Dogs Bark at Night - original manuscript pages |
6 | copies of poems | |
7 |
Love and Other Terrors - original manuscript (1981)
|
Box | Folder | |
13 | 8 |
The Dream of Snowy Owls - original manuscript (1981)
|
Box | Folder | |
13 | 9 | Dry Media - original edited manuscript |
10 |
Dry Media - original revised manuscript
|
Box | Folder | |
13 | 11 | The Cranberry Tree - first manuscript submitted |
12 | The Cranberry Tree - corrected draft manscript | |
13 |
The Cranberry Tree - editor's working manuscript copy
|
Box | Folder | |
13 | 14 |
Almost a Ritual - original manuscript
|
Box | Folder | |
13 | 15 | Thimble Rig - edited manuscript copy (1981) |
16 | Dud Shuffle - third draft manuscript copy | |
17 | Idiot Strings - manuscript copy | |
18 |
More of a Family - manuscript copy
|
Box | Folder | |
14 | 1 |
Swimmers In Oblivion - manuscript copy
|
Box | Folder | |
14 | 2 | The Light of Our Bones - manuscript copy |
3 | Scarecrow - various draft copies and unidentified poetry | |
4 |
Scarecrow - softcover book (1980)
|
Box | Folder | |
14 | 5 |
Ritual Murders - manuscript copy (1980)
|
Box | Folder | |
14 | 6 | Sounds Assembling: The Poetry of Bertram Brooker - four drafts of introduction by Sproxton |
7 |
Sounds Assembling: The Poetry of Bertram Brooker - manuscript copy
|
Box | Folder | |
14 | 8 | Taber Child (later Montage For An Interstellar Cry) - edited manuscript copy (1979) |
9 | Taber Child (later Montage For An Interstellar Cry) - original submitted edited manuscript | |
10 | Taber Child (later Montage For An Interstellar Cry) - first edited revision copy | |
11 | Taber Child (later Montage For An Interstellar Cry) - original second draft manuscript | |
12 | Taber Child (later Montage For An Interstellar Cry) - third revision copy | |
13 | Taber Child (later Montage For An Interstellar Cry) - original fourth revision manuscript | |
14 |
Taber Child (later Montage For An Interstellar Cry) - original fifth revision manuscript
|
Box | Folder | |
14 | 15 | Game of Angels - editor's working manuscript copy (1980) |
Box | Folder | |
15 | 1 | Game of Angels - final manuscript copy |
2 |
Dedication for a Book Titled "A Century of Man" - original manuscript copy
|
Box | Folder | |
15 | 3 | Forty Love Poems & A Letter To The Boss - original edited manuscript |
4 | Forty Love Poems & A Letter To The Boss - second draft copy | |
5 | Forty Love Poems & A Letter To The Boss - revised manuscript copy | |
6 |
Changehouse - softcover book (1976)
|
Box | Folder | |
15 | 7 | The First Woman - original and copy manuscript sections |
8 | Humans and Other Beasts - original manuscript (1980) | |
9 | Death Wish: A Poem in Sequence - manuscript copy | |
10 |
The Foetus Dreams - original manuscript
|
Box | Folder | |
15 | 11 | Pastoral Madness - original manuscript |
12 |
Pastoral Madness - revised original manuscript
|
Box | Folder | |
15 | 13 |
The Art of Pulling Hearts - original manuscript
|
Box | Folder | |
15 | 14 |
In The Gutting Shed - original manuscript
|
Box | Folder | |
16 | 1 |
Mister Never in a Dream of the Gatineau - manuscript copy
|
Box | Folder | |
16 | 2 | The Cancer Poems - manuscript copy and editor's notes (1979-80) |
3 | The Cancer Poems - original manuscript (1979-80) | |
4 |
All That Uneasy Spring - original manuscript
|
Box | Folder | |
16 | 5 | Whole Wheat Buns - original manuscript - second original manuscript |
6 | Whole Wheat Buns - second original manuscript | |
7 | The Earth is One Body (formerly Whole Wheat Buns) - final manuscript copy (1978) | |
8 | The Earth is One Body (formerly Whole Wheat Buns) - softcover book (1979) | |
9 |
Tante Tina's Lament - original manuscript
|
Box | Folder | |
16 | 10 | A Planet Mostly Sea - manuscript copy |
11 | A Planet Mostly Sea - softcover book (1979) | |
12 |
Anthology: Going For Coffee - manuscript copy
|
Box | Folder | |
16 | 13 |
untitled manuscript - edited copy and related correspondence
|
Box | Folder | |
16 | 14 |
Eastbound From Alberta - softcover book (1981)
|
Box | Folder | |
16 | 15 | No Trombones - original manuscript |
16 | Traveling the Floodwaters - manuscript copy
Listed by author's surname |
Correspondence Related To Rejected Manuscripts
Box | Folder | |
17 | 1 | 1976 |
2 | 1977 | |
3 | 1978 | |
4 | 1979 | |
5 | 1980 | |
6 | 1981 | |
7 | 1982 | |
8 | 1983 |
Literary Magazine Publishing
Essays on Canadian Writing:
Box | Folder | |
17 | 9 | Correspondence 1977-80 |
10 | Bibliography of 19th century literary periodicals held in Elizabeth Dafoe Library (as at 1974) Contemporary Verse II: |
Box | Folder | |
18 | 1 | Second issue, CBC Anthology: Women Poets of the Maritimes |
2 | Bluelines, Vol. 2, No. 3, 1978
(includes a letter from Dr. Dorothy Livesay) |
|
3 | Submissions for Vol. 3, No. 2 | |
4 | Vol. 3, No. 4 | |
5 | Montreal issue, 1977, of correspondence and poems | |
6 | Vol. 7, No. ? | |
7 | Satire issue, 1977-78, with face sheets and correspondence. Compiled by Dr. Dorothy Livesay and Robert Quickenden | |
8 | Face Sheets general issue, 1978, with correspondence | |
9 | Vol. 4, No. 1, with correspondence and poems | |
10 | submissions, n.d., to Dr. Dorothy Livesay |
Miscellaneous
Box | Folder | |
18 | 11 | Manitoba Literature 1866-1966
Lecture delivered by G.L. Broderson, Dean of Arts & Sciences, as first of the St. John's College Centennial Lecture Series on Saturday, November 19, 1966. Delivered under the auspices of the University of Manitoba Alumni Association as a continuing studies seminar. |
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Photograph Collection (PC 120)
The Turnstone Press Photograph Collection consists of authors' photographs and any artwork or photographs used in their books.
Box | Folder | |
1 | 1 | Ackerman, Caroline:
cover photographs from Cooking With Kids |
2 | Adamson, Arthur:
author's photograph, original and copied artwork by Adamson |
|
3 | Amabile, George:
black and white unidentified, undated negatives |
|
4 | Arnason, Dr. David:
author's photograph and colour copy negative |
|
5 | Bowering, George:
author's photograph, c. 1981-82 |
|
6 | Helwig, Magdalen Sarah (Maggie):
author's photographs taken at Kingston, Ontario in 1981 |
|
7 | Hilles, Robert:
author's photographs taken in 1980 for Look The Lovely Animal Speaks |
|
8 | Koehne, Lala Heine:
colour and black and white photographs submitted c. 1980-81 for Eyes of the Wind by W. M. Kollman |
|
9 | Lane, John C.:
original cover of Return Fare |
|
10 | McLauchlan, Laura:
author's photographs, 1980. One 5x7 photograph by Nelson Wiseman |
|
11 | Marlatt, Daphne:
original cover design for How to Hug a Stone - photograph from above-noted book |
|
12 | Powell, Craig:
Powell, Craig: |
|
13 | Smith, Douglas:
charcoal original poster used as cover for Scarecrow. Filed in map cabinet due to oversize dimensions. |
|
14 | Sproxton, Birk and Bertram Brooker:
professional colour 4x5 negative and transparency of oil painting on canvas by Bertram Brooker (1888-1955) entitled "Sounds Assembling" (also title of Sproxton's book on Brooker). Negative of painting taken by Ernest Mayer from collection of Winnipeg Art Gallery |
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15 | Szumigalski, Anne:
polaroid black and white author's photographs from Game of Angels |
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16 | Turner, Gordon:
author's photograph |
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17 | Upward, Edward:
author's photograph, taken by Dr. Dennis Cooley |
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18 | Waddington, Miriam:
colour slide of a painting by Surrey (used in Mister Never) |
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19 | Valgardson, William Dempsey (W.D.):
negatives and contact sheets, author's photo and other photographs used in The Gutting Shed |
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20 | Waltner-Toews, David:
author's photograph taken in 1982 by Mary Delaney of "The Barrie Examiner" |
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Tape Collection (TC 8)
Box | Folder | |
1 | 1 | Unidentified woman speaking on the role and work of senior citizens, n.d.
Extremely uneven sound. Less than a quarter of the beginning of the tape contains the speech; the rest is unused. |
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