The examples below show how to cite books using the 18th edition of the Chicago Manual of Style (2024). The first/last name appearance of authors is dependent upon the number of authors follows the same pattern in citations for any type of material. Note that the place of publication is no longer needed next to the publisher. For books accessed in E-versions, scroll down. [14.2 - books] |
Note: | #. Author First-name Last-name, Title of book (Publisher, Year), page numbers. |
1. Katelijne Schiltz, Music and Riddle Culture in the Renaissance (Cambridge University Press, 2015), 65-68. | |
Subsequent notes, same title: | #. Author Last-name, Shortened title of book, pg number. |
2. Schiltz, Music and Riddle Culture, 66. | |
Bibliography: |
Author Last-name, First-name. Title of book. Publisher, Year. |
Schiltz, Katelijne. Music and Riddle Culture in the Renaissance. Cambridge University Press, 2016. |
Note: | #. Author1 First-name Last-name and Author2 First-name Last-name, Title of book (Publisher, Year), page numbers. |
1. Kate Bowan and Paul A. Pickering, Sounds of Liberty: Music, Radicalism and Reform in the Anglophone world, 1790-1914 (Manchester University Press, 2017), 230-31. | |
Subsequent notes: | 2. Bowan and Pickering, Sounds of Liberty, 255. |
Bibliography: |
Author1 Last-Name, First-Name and Author2 First-Name Last-Name. Title of book. Publisher, Year. |
Brooks, Daniel R., and Deborah A. McLennan. The Nature of Diversity: An Evolutionary Voyage of Discovery. University of Chicago Press, 2002. |
When citing more than two authors, use commas between each name, with and preceding the final name. In note: list one author followed by et al In the bibliography: List up to the first six, followed by et al. then proceed citation as applicable. |
Note: | #. Author1 First-Name et al... |
Bib: |
Author1 Last-Name, First-Name, Author2 First-Name Last-Name, Author3 First-Name Last-Name and Author4 First-Name Last-Name..et al... |
Note: |
#. Article/Chapter Author First-Name Last-Name, "Chapter Title," in Title of Book, ed. Editor First-Name Last-Name (Publisher, Year), page numbers. |
1. Charlie Gillet, "Five Styles of Rock & Roll," in The Penguin Book of Rock & Roll Writing, ed. Clinton Heylin (Viking, 1992), 6-22. |
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Subsequent note: | 2. Gillet, "Five Styles of Rock & Roll," 11. |
Bib: |
Article/Chapter Author Last-Name, First-Name. "Chapter Title." In Title of Book, edited by Editor First-Name Last-Name, page numbers. Publisher, Year. |
Gillet, Charlie. "Five Styles of Rock & Roll," in The Penguin Book of Rock & Roll Writing, edited by Clinton Heylin, 6-22. Viking, 1992. |
Books consulted online: Access Dates: Page numbers: |
Note: | #. Author First-name Last-name, Title of work (Publisher, Year), page/chapter/section, date of access (see note above), DOI or name of database. |
1. Paul R. Laird, Leonard Bernstein: A Guide to Research (Routledge, 2002), chap. 5, General Biographies, EBSCOhost. | |
2. Sandra Garrido, Why are we Attracted to Sad Music? (Palgrave Macmillan, 2017), chap. 4, accessed November 22, 2017, https://doi-org.uml.idm.oclc.org/10.1007/978-3-319-39666-8_4. | |
Subsequent note: | 3. Garrido, Why are we Attracted to Sad Music?, chap. 4. |
Bib: |
Author Last-Name, First-name. Title of work. Publisher, Year. Database name or DOI. |
Laird, Paul R. Leonard Bernstein: A Guide to Research. Routeledge, 2002. EBSCOhost. |
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Garrido, Sandra. Why are we attracted to Sad music? Palgrave Macmillan, 2017. Chapter 4. Accessed November 22, 2017. https://doi.org/10.1007/978-3-319-39666-8. |